El Club, Detroit 48209Report Issue

El Club, Detroit 48209


4114 W Vernor Hwy
Detroit, Michigan 48209
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Next Show

Fri, January 18, 2019 (9:00 PM EST)
Still Woozy with VICTOR!


Still Woozy
4114 W Vernor Hwy, Detroit, MI 48209 
$10.00 - $12.00

Upcoming Shows

Fri, January 18, 2019 (9:00pm - 11:00pm EST )
Still Woozy with VICTOR!
Still Woozy $10.00 - $12.00
Sun, January 20, 2019 (8:00pm - 12:00am EST Monday)
The End Of The Ocean with Tides Of Man
The End Of The Ocean

A monumental slab of instrumental Post-Rock from Columbus, Ohio Kevin Shannon (Guitar), Trish Chisholm (Guitar), Bryan Yost (Bass), Tara Yost (Keys), Wes Jackson (Drums)

$13 – $15
Tue, January 22, 2019 (8:30pm - 10:30pm EST )
Hank Von Hell with Against The Grain
Hank Von Hell $25.00 - $30.00
Wed, January 23, 2019 (8:00pm - 10:00pm EST )
The Lemon Twigs with Jackie Cohen
The Lemon Twigs $18.00 - $20.00
Thu, January 24, 2019 (9:00pm - 12:00am EST Friday)
JMSN, Daley
Daley / JMSN

Hailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry’s most sought-after performers and producers. On January 31, 2018 - JMSN unveiled the next chapter of his sound evolution with the track, “So Badly.” The single was released on his self-founded label, White Room Records. JMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN’s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more. In 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.

$22.00 - $25.00
Sun, January 27, 2019 (9:00pm - 11:00pm EST )
The Soft Moon with Hide
The Soft Moon

Oakland, CA based neo-post-punk band founded by Luis Vasquez as a solo project in 2009.

$15.00 - $17.00
Tue, January 29, 2019 (8:00pm - 12:00am EST Wednesday)
Alejandro Escovedo with Don Antonio
The Crossing Tour - Alejandro Escovedo with Don Antonio (band)

Crossing borders, jumping barriers, taking risks, betting it all: that’s the path Alejandro Escovedo has been taking in his lifelong search for the heart of rock and roll. Alejandro’s new album, The Crossing (YepRoc Records, September 14) is about that journey: searching, but not necessarily finding, eyes and ears open all the way. It is his first for Yep Roc Records and his first ever recorded in Europe. “This says more about me than any of my records without it being a record about me,” Alejandro says. The Crossing tells the tale of two boys, one from Mexico, one from Italy, who meet in Texas to chase their American rock and roll dreams. They discover a not-so-welcoming, very different place from the Promised Land they imagined, with cameos from the likes of Wayne Kramer of the MC5, Joe Ely and James Williamson of the Stooges to show the boys the way. It was recorded in an Italian farmhouse near Mogdliana and features his collaborator and co-songwriter Don Antonio with his band whom will be backing and opening for Alejandro. Don Antonio has backed numerous American acts in Europe but this will be their first ever tour of the US. Escovedo’s trailblazing career began with The Nuns, San Francisco's famed punk innovators, to the Austin-based-based alt-country rock pioneers, Rank & File, to Texas bred darlings, True Believers, through countless all-star collaborations and tribute album appearances and finally a series of beloved solo albums beginning with 1992's acclaimed Gravity, Escovedo has earned a surplus of distinctions: No Depression magazine's ‘Artist of the Decade’ Award in 1998 and the Americana Music Association's Lifetime Achievement Award for Performing in 2006, just to name two. His last album Burn Something Beautiful was co-produced, written and recorded with Peter Buck and Scott McCaughey. Alejandro worked with producing legend Tony Visconti (David Bowie/T-Rex) on Real Animal and Street Songs of Love; he has previously worked with Chuck Prophet, John Cale, Los Lobos, Willie Nelson and Bruce Springsteen. Now Hepatitis C free, Alejandro serves as a spokesperson for the Prevent Cancer Foundation “Think About the Link” campaign about the link between viruses and Hep C. As an official showcasing artist, the Alejandro Escovedo Band with Don Antonio will debut The Crossing at the Americana Music Association Festival 2018 at the Americana Music Stage, hosted by WMOT Roots Radio, NPR Music and World Cafe. "You just do your good work, and people care," Alejandro says. "I always believed, when I was a kid, that if you worked hard, you would find fulfillment. I think I got a lot of that from my father and my brothers. A working musician is all I ever wanted to be. Hard work, stay true to what you want to do, and then eventually someone would notice for that very reason."

$25.00 - $27.00
Thu, January 31, 2019 (9:00pm - 12:00am EST Friday)
John Maus
John Maus

John Maus is a truly enigmatic musician. Broadly cut from the synth pop cloth, he’s fashioned the frosty minimalism of its fabric into a cloak of infinite meaning, genuine grace and absurdist humor over the course of three defining albums since 2006. His music is a highly mutable affair, whilst often described as retro-futurist on behalf of the 80’s drum machines and synth sounds employed, John’s music is more personal than the nostalgic re-tread implied. There’s a cinematic quality to his songs, with pathos conjured through propelling bass-lines, trailing arpeggios and of course his deeply resonant vocal. Moroder helped map out the territory but Maus is more interested in seeking cadence through his love of Renaissance polyphony and the experimentation behind post punk. It’s an amalgamation of musical ideas as radical as its intent. Maus is a ‘man out of time’ trying to make sense of the inhumanity of our world through his mobilisation of the language of punk rock. His aim is true as he reaches for the seemingly impossible. It’s a want to emerge as part of greater multiplicity, to appear, to become, to connect that powers his songs and the man himself. It’s now been six years since the widely lauded album We Must Become The Pitiless Censors Of Ourselves (2011) appeared like a thunderbolt of maniacal energy and turned everyone’s heads. Now regarded an experimental pop classic, Pitiless Censors was a huge breakthrough for Maus as a recognised artist and led to a vast reappraisal of his past work. Debut album Songs (2006) and the masterful follow up Love Is Real (2007) sounded better than ever the second time round for this groundswell of new followers. After touring Pitiless Censors around the world and pulling together a collection of rarities and unreleased tracks, Maus then returned to academic pursuits. In 2014, he was awarded a doctorate in Political Philosophy for his dissertation on communication and control. Shortly thereafter, he began building his own modular synthesizer, etching the printed circuit boards, soldering components, and assembling panels, until he had an instrument that matched his vision. With this prodigious task completed Maus turned his hand back to song writing and began work on what is now his fourth album proper Screen Memories. Screen Memories was written, recorded, and engineered by Maus over the last few years in his home in Minnesota, known genially as the Funny Farm. It’s a solitary place situated in the corn plains of rural American Midwest. The landscape is as majestic as it is austere and inevitably some of the sub-zero winter temperatures creep into the songs as do the buzzing wasps of summer. Screen Memories unfolds like a pageant, with its variety of songs tendering sunshine and shadow throughout. “The Combine” leads the procession with an apocalyptic stateliness all of its own. Clusters of chords dart between the solid rhythm track and artfully chimed bells. “It’s going to dust us all to nothing, man” intones Maus assuredly, “I see the combine coming”. Tracks like “Sensitive Recollections” and “Walls of Silence” overflow with the elegiac splendor we’ve become accustomed too from Maus’ previous work, at once mournful, yet full of redemption. Whilst “Find Out” is a persistent thrill ride of guitar histrionics and instructive demands amidst the sputtering drum machines. “Over Phantom” channels a similar perpetual energy with its hyperactive shifts of harmony and grand flourishes of swirling echo. “I am a phantom over the battlefield” booms Maus miles above the vast acres of dazzling bright melody. Many of John’s lyrics adopt this Spartan approach, yet their reiteration throughout the song bears up with their meaning shifting through repetition. “Teenage Witch” and “Pets” deploy a similar tactic, the latter teaming up one of John’s most droll lyrics with a colossal bass figure integrally linked to the song as a whole by way of forgotten thematic devices such as augmentation, stretto, and inversion. The lyrics at the end of the track underscore the album’s eschatological bent, “standing between time and its end.” “Decide Decide” finds Maus in dreamier climes, its arrangement of drums and exquisitely eddying keyboard lines tumble evocatively into huge oceans of ambience. Comparably quixotic synth-drifts come to the fore on “Edge Of Forever” too, the song sounding as if it was beamed in from a distant celestial sphere. “Touchdown” meanwhile is a great example of how Maus builds apprehension within his songs, it’s a primed and focused anthem, all scintillating keys and monumental beat. The tension only breaks once for a decidedly ebullient interlude with Maus echoing commands to “forward drive across the line!” That same feeling of your heart-racing away from you is also present in the taut track “The People Are Missing” (the only condition upon which any real politics can be founded), which captures some of the intensity and passion of John’s frenzied live performances. “Bombs Away” draws the album to a close. The track sounds like a chase becoming a hunt and was co-written by Matt Fishbeck and Ariel Pink (whom Maus used to play with in Haunted Graffiti). Through the whole album Maus has an undeniable talent in grasping the mettle of each song, reaching within and building up a sincere core, before teasing out the edges in acknowledgement to the very ridiculousness of its existence. Rather than creating these songs through an enjoyment of the process Maus considers himself more in the role of someone discovering them buried just beneath the surface. Perhaps the songs presented here are the ones that mask his real intentions, Freud pressing record and turning the TV channel to snow. All we can be certain of now though is that John Maus is back and he sounds gloriously alive. The triumph of the human is upon us and all the false gods and bad jokes will be the first to fall.

$20
Fri, February 1, 2019 (8:30pm - 12:00am EST Saturday)
Ripe with Waker
Ripe $14.00 - $16.00
Sat, February 2, 2019 (9:00pm - 11:00pm EST )
Emily King with Jennah Bell
Emily King

Hailing from New York City, Emily King is a GRAMMY® nominated artist. Her lush & polished vocals serve as the perfect vehicle for her carefully crafted compositions. With pop, rock, and r&b influences, King has quickly become a favorite amongst artists and fans alike. King is slated to release her new album with ATO records at the top of next year.

$25.00 - $89.00
Fri, February 8, 2019 (9:00pm - 12:00am EST Saturday)
Brasstracks with Kemba, Pell
Brasstracks

After studying together at Manhattan School of Music, Ivan Jackson (trumpet) and Conor Rayne (drums) linked up to form production duo Brasstracks in 2014. Initially a side project allowing them to use their instruments to produce electronic music they were passionate about, a cover of Rihanna’s “Four Five Seconds” with Lido cemented them on the SoundCloud producer scene. Since their early beginnings in the SoundCloud space they have dropped an array of critically acclaimed covers and remixes, toured with Lido, Nao, Mr Carmack, Jack Garratt and GRiZ, played iconic venues and festivals such as Denver’s Red Rocks and Coachella and featured/produced on songs with GoldLink, Anderson Paak, Lido and Khalid. In August 2016 Ivan and Conor produced arguably the biggest Hip Hop record of the year with Chance The Rappers ‘No Problem’ feat Lil Wayne and 2Chainz. This led to a GRAMMY nomination for Best Rap Song to add to Ivan’s nomination for his writing contribution to Anderson Paak’s ‘Am I Wrong'. They also released their debut EP, Good Love and took the EP on the road with their Good Love Fall Tour. During a heavy summer ’17 festival season playing all over North America Brasstracks released a slew of new singles and covers culminating in the first edition of their most recent project “For Those Who Know Part 1” which was released Oct 20th. Part 1 boasts collaborations with Robert Glasper, The Underachievers and more. March 2018 saw the guys embark on their first ever headline US tour, playing 19 cities and selling out Los Angeles, San Franscisco, Seattle and NYC's iconic Bowery Ballroom in their hometown show. To conclude their “For Those Who Know” series Brasstracks released the Deluxe version of the project and embarked on a first Asia tour. Now they enter the next chapter with the release of new single “Vibrant” featuring Pell and announcing a 28 date headline North American tour - “The Vibrant Tour”, kicking off in January 2019.

$15.00 - $75.00
Sat, February 9, 2019 (9:00pm - 11:00pm EST )
Robert DeLong with Morgxn
Robert DeLong $20.00