El Club, Detroit 48209Report Issue

El Club, Detroit 48209


4114 W Vernor Hwy
Detroit, Michigan 48209
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Next Show

Thu, March 21, 2019 (9:00 PM EDT)
Jukebox The Ghost, The Mowgli's


Jukebox The Ghost, The Mowgli's

Ben Thornewill - Piano/Vocals. Tommy Siegel - Guitar/Vocals. Jesse Kristin - Drums/Vocals.

4114 W Vernor Hwy, Detroit, MI 48209 
$22 – $25

Upcoming Shows

Thu, March 21, 2019 (9:00pm - 11:30pm EDT )
Jukebox The Ghost, The Mowgli's
Jukebox The Ghost, The Mowgli's

Ben Thornewill - Piano/Vocals. Tommy Siegel - Guitar/Vocals. Jesse Kristin - Drums/Vocals.

$22 – $25
Fri, March 22, 2019 (9:00pm - 11:30pm EDT )
Jerry Paper
Jerry Paper

"Jerry Paper" is the entity that inhabits Lucas W. Nathan's body when he is grooving."

$10
Sat, March 23, 2019 (9:00pm - 12:00am EDT Sunday)
SoDown
SoDown $15
Wed, March 27, 2019 (8:00pm - 10:00pm EDT )
Blaqk Audio
Blaqk Audio - Only Things We Love Tour $20
Thu, March 28, 2019 (7:00pm - 9:00pm EDT )
Call Me Karizma
Call Me Karizma $12-$40
Fri, March 29, 2019 (9:00pm - 12:00am EDT Saturday)
Viagra Boys
Viagra Boys

Viagra Boys is Benke, Benis, Tor, Sebbe, Martin, Rasmus and Konie. A Stockholm act.

$13 – $15
Sat, March 30, 2019 (9:00pm - 11:00pm EDT )
Homeshake
Homeshake

When you walk alone, you’re never lost. At least, that’s the operating principle behind Homeshake, the recording project of Peter Sagar. Over his first three albums, Sagar followed his own idiosyncratic vision, a journey that’s taken him from sturdy guitar-based indie-pop to, on 2017’s Fresh Air, a bleary-eyed take on lo-fi R&B. Now, with Helium, Sagar is putting down roots in aesthetic territory all his own. Landscape that he once viewed from a distance now forms the bedrock of his sound, and from here, he looks back out at the world as if through a light fog, composing songs that feel grounded and intimate, even as they explore a dispersed feeling of isolation. It’s a feeling that comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Sagar began writing Helium shortly after completing Fresh Air, and in the middle of what he calls a “binge” reading of Haruki Murakami. It’s not hard to picture the narrator of these songs as a distinctly Murakamian character: He moves through time by himself, bemused by and insulated from a world he doesn’t quite seem to have been made for. Everyone Sagar encounters here — including himself — seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream. Which isn’t to say that Sagar is unmoored in his own world. In fact, much of Helium is the result of what he calls “a much clearer mental state” than the one he’d experienced shortly following Fresh Air’s completion. “I had a better idea of the sound that was working for this record and what it was turning into as I was writing the songs,” he says. That’s owing in part to the album’s genesis. Where his previous three records were recorded directly to one-inch tape in a local studio, Helium was recorded and mixed by Sagar alone in his apartment in Montreal’s Little Italy neighborhood between April and June of this year. Freed of the rigid editing process he’d endured before, he was able to lose himself in pursuit of tone and texture. “I didn’t have to book time, compete for good hours, wait on availability. I did a lot of it at home in the middle of the night,” he says. “It made me get more obsessive about details.” A budding interest in ambient and experimental music — particularly Visible Cloaks, DJ Rashad, and Jlin — pushed him to tinker with the micro-sounds that surround the songs here. It’s a process he found creatively invigorating; even the tinkling boom-bap of Young Thug informs “All Night Long.” It’s a far cry from the chorus-laden guitars of his earlier work. “Ever since I started introducing synthesizers into my music, I’ve gotten more interested in texture,” he says. “I’d hit a creative dead end [with guitars], so synths took over.” The warm chords of a Roland Juno 60 form the album’s base, and gave him a clean palette with which to work. “No tape hiss, no humming power outlets and shitty mixing boards,” as he puts it. “Everything just came out nice and pure.” Still, for all the growth it demonstrates and the ways it luxuriates in its discoveries, Helium is at its core a record that isn’t beholden to any particular set of sounds, textures, or instruments to get its point across. In that sense, it feels closer to the bone, at once assured of its vision and remarkably vulnerable. It’s perhaps our purest view yet of Homeshake’s home country.

$15 – $18
Sat, March 30, 2019 (10:30pm - 12:30am EDT Sunday)
Slimez
Slimez $10-20
Fri, April 5, 2019 (8:00pm - 10:00pm EDT )
The Midnight
The Midnight

The Midnight is an electronic music group comprised of LA based Danish songwriter & producer Tim McEwan and New York based American songwriter & vocalist Tyler Lyle. The Midnight project is their attempt to put time under glass, producing '80s influenced Synthwave, Dreamwave, Retrowave. The duo had their first release in 2014 with the EP 'Days of Thunder'. 2016 saw the release of their first full length album - 'Endless Summer', while their 'Nocturnal' EP arrived in October 2017.

$20.00 - $22.00
Sat, April 6, 2019 (7:00pm - 9:00pm EDT )
Shallou, Slow Magic
Shallou & Slow Magic: Into the Wild Tour Shallou & Slow Magic: Into the Wild Tour $18-$22